The performance touches on the problem of violence against women. The work is built on an inversion - women play male behavioral roles, and vice versa. This is a production with elements of grotesque, street theater, where the texts are screamed into a megaphone, rapists fall, jump, grimace. In the laughing culture violence, death and politics have always been the objects of satire and parody, which led to the choice of such a style of performance - laughter through tears.